So, I found this review of a movie I’ve heard about but never seen, called Spirited Away. Apparently, it’s pretty good. What struck me the most, however, was this insight about pacing from it’s creator, Hayao Miyazaki:
“We have a word for that in Japanese, it’s called ma. Emptiness. It’s there intentionally. …the time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it’s just business, But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.”
In music, there are rests – moments where nothing is heard. Yet you’re still carried forward through the song. You know the beat is there, even though you can’t hear it. Done well, it can create a wide variety of emotions; joy, sadness, fear and anger. Without those pauses, all music would be is a continuous drone eliciting only annoyance.
It’s the same with writing. Without the action, the transition scenes, the narrative, the exposition, the showing and telling to vary the pace, a story can become exhausting to read. All action, all the time, makes the reader put down the book. And maybe never pick it up again.
As humans, we need time to process our experiences. To ponder the meaning and implications of what just happened. To laugh, cry or punch the wall, if necessary. To decide how to act or react. Sometimes it happens in an instant, other times it may take minutes, hours or days. It may or may not result in the best choice, but that’s life.
Fictional characters should be no different. Even if they’re not human, our readers are. Give them a chance to catch their breath, absorb what just happened and use their imagination. That’s why we read (or at least, why I do). It’s why the book is almost always better than the movie.
They don’t need to be told (or shown) every little detail. It becomes more of a personal experience if each reader can add their own touches to the story. Give them the important parts and get out of the way. Sometimes the conflict that’s implied can be stronger than one thrown in your face. Let them rest, and the emotional response will be stronger when the action kicks in again.
Now all I have to do is actually put this into practice…
